"[Drawing should be] a journey of pleasure. Each step must present to the travellers' view objects that are eminently interesting, varied in their appearances, and attracting to such a degree as to excite in each individual thus happily employed the desire of knowing all respecting all he sees."

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Indeed, what forces us at all to suppose that there is an essential opposition of 'true' and 'false'? Is it not sufficient to assume degrees of apparentness and, as it were, lighter and darker shadows and shades of appearance- different 'values', to use the language of painters?

— Friedrich Nietzsche